Spare Changing for Trauma: a Memoir of Pain & Healing

 
• A raw, deeply personal memoir from April Graham’s teenage years living homeless between the ages of 13–18

• Trauma and healing explored alongside real-world herbal practice, without spiritual bypassing or romanticization

• In-depth plant chapters rooted in lived relationship, traditional use, and practical methods

• A second half focused on hands-on ways to work with herbs, emphasizing skill, observation, and respect rather than formulas
243 pages
Printed with care, made to order

At a Glance:

Spare Changing for Trauma is both a memoir and an herbal healing book — because, for April Graham, healing has never existed separately from the life that made it necessary.

Inside, April shares pieces of her teenage years living homeless between the ages of 13 and 18. These chapters don’t move neatly from beginning to end, and they aren’t written to be comfortable. They unfold the way trauma often does — in fragments, memories, and moments that refuse to stay neatly contained. The stories include violence, neglect, survival, and the long work of carrying those years forward.

Woven through these stories are herbal chapters, each centered around a plant that was present during those experiences. These plants are not offered as fixes or metaphors. They are companions — sometimes the only steady presence, sometimes the only form of care available at all. The plants are allowed to be what they were: grounding, imperfect, and real.

Each herb chapter walks the reader through:

April’s lived relationship with the plant

how the plant has traditionally been used

what it does in the body, explained in clear, human language

practical ways to work with it

and the honest limits of what plants can and cannot do

As the book moves forward, the second half opens more fully into hands-on herbal practice. April shares accessible methods like infusions, tinctures, infused oils, salves, poultices, compresses, sitz baths, and more — alongside conversations about ethical harvesting, relationship with land, and respect for the plants themselves. Nothing is rushed. Nothing is dressed up to feel more spiritual or more marketable than it is.

This is not a polished trauma memoir meant to inspire from a distance.
And it isn’t a technical herbal manual.

It is a deeply human book about pain, survival, and healing — written by someone who lived it, and who understands that neither trauma nor healing happens in clean lines. The stories are real. The plants are real. And both are held with honesty and care.


Spare Changing for Trauma was written seven years ago.

It reflects April Graham’s voice, language, and emotional landscape at that time. The book has not been rewritten, modernized, or heavily edited to meet current editorial standards or expectations.

The writing flows naturally in April’s voice, but it is not perfectly grammatically correct at all times. There will be errors. This was a conscious decision to leave the work intact rather than polish it into something it was never meant to be.

This book reads more like a piece of lived work or art than a refined manuscript. It carries nonlinear storytelling and moments that may feel unresolved — because trauma and healing rarely arrive in clean, finished forms.

The intention of this book was never perfection.
It was honesty.

Readers should expect sincerity, vulnerability, and depth — not editorial polish.

Most herbal books teach plants as information — lists, actions, and recipes separated from the lives they’re used in. Spare Changing for Trauma does something different. • The plants are introduced through lived experience, not abstraction — each herb appears in the context of real moments, real wounds, and real survival • Trauma and healing are not separated; the book does not present plants as fixes, but as companions that existed alongside pain • Herbal information is grounded in relationship and use, not perfection or polish • The book does not promise transformation, enlightenment, or closure — it reflects healing as ongoing, imperfect, and human • It prioritizes honesty over aesthetics and lived truth over instructional neatness This is not a reference manual and it is not a feel-good herbal read. It is a book for readers who understand that plants don’t exist outside of life — and that healing doesn’t happen in isolation from the experiences that made it necessary.

Herbalism doesn’t have to be hard — and thousands of women trust April to show them just how simple it can be.

What Women Are Saying

Words from women who have learned alongside April over the years.
Julie SummersVerified Customer

More than a biography… more than an herbal resource book…. The clever and very human expression of the author’s experiences gives depth to the “why” of each plant… a healing of both body and soul. I am slowly devouring it and will read it again. It is a truly unique book. I love it so much. It’s like sharing a pot of tea with the author and hearing a story or two. Thank you for this gift, April.

Nina HoneycuttVerified Customer

You can hear April in every sentence. Her story telling is vivid and wonderful. While the tales aren't rainbows and sunshine, she spins the herbal wisdom into a sort of happy ending at the end of each tale. And the information shared is actually useful (which i did expect and was not disappointed), clearly expressed and written in a way for all to understand, use and hopefully also share.

Melissa WelshVerified Customer

I'm not sure where to begin. If you watch April teach, you know she's got something special. Her deep knowledge of herbs and body systems is mind-boggling. She also has a really fun personality and the ability to share things in a way that they can be easily comprehended. This all leads some of us to want to know more about this amazing person. I had to set this book down to cry for a while after the second chapter. There is such brutality and, shining through in tiny ways, such beauty in her story. That she survived the things she did is a great benefit to all of us. I was so drawn in by her experience, I read through those sections like a novel. And I'm more amazed at who and how she is. A person could come away from experienced like that cold and hard and nearly heartless but she is the opposite. She's generous and authentic and truthful and brave. Her grace shines so brightly and I'm absolutely full of gratitudethat I get to learn from her. Then there are the herbs. All I can say is that I have never seen such comprehensive information all in one place before. Some of it is a bit over my head but as I re-read, it's sinking in. This book is an absolute treasure and belongs in every apothecary and library. It's become an immediate favorite.

Common Question, Honest Answers.

This book is less about fixed formulas and more about methods. Rather than presenting rigid recipes meant to be followed exactly, Spare Changing for Trauma teaches foundational ways of working with plants. These methods can be applied to the specific herbs discussed in the book, and they can also be carried forward into a reader’s own herbal practice. • The focus is on learning how to work with plants, not memorizing formulas • Methods are explained in a way that allows flexibility and adaptation • Readers are shown how to prepare herbs using traditional approaches rather than product-style recipes • The emphasis is on relationship, observation, and use — not precision or perfection The intention is to give readers skills they can use beyond the pages of this book, rather than a set of instructions that only apply to one moment or one herb.

These books come straight from the hands and heart of April Graham — a cultural herbalist who’s spent decades living what she teaches. If you’ve seen her videos or read her posts, you already know the tone: clear, practical, and deeply rooted in real-life experience. Her goal with every page is to make herbal knowledge truly accessible — no filler, no gatekeeping, just the kind of wisdom anyone can use.

Yes — images are included, and they are personal rather than instructional. • Color photographs of April Graham from different periods of her life, included to give context to the memoir portions of the book • Hand-drawn illustrations of plants, offered as artistic representations rather than botanical identification tools • Images that support the storytelling and lived relationship with the plants, not plant identification or field use This book does not include botanical identification photographs or field-guide-style imagery. The visuals are meant to deepen understanding of the story and the relationship with the plants, not to serve as an identification reference. Because this book includes color printing, production costs are higher than April’s other books, which is reflected in the price.