At a Glance:
Most herbal books teach plants as information — lists, actions, and recipes separated from the lives they’re used in. Spare Changing for Trauma does something different. • The plants are introduced through lived experience, not abstraction — each herb appears in the context of real moments, real wounds, and real survival • Trauma and healing are not separated; the book does not present plants as fixes, but as companions that existed alongside pain • Herbal information is grounded in relationship and use, not perfection or polish • The book does not promise transformation, enlightenment, or closure — it reflects healing as ongoing, imperfect, and human • It prioritizes honesty over aesthetics and lived truth over instructional neatness This is not a reference manual and it is not a feel-good herbal read. It is a book for readers who understand that plants don’t exist outside of life — and that healing doesn’t happen in isolation from the experiences that made it necessary.
Herbalism doesn’t have to be hard — and thousands of women trust April to show them just how simple it can be.
Common Question, Honest Answers.
This book is less about fixed formulas and more about methods. Rather than presenting rigid recipes meant to be followed exactly, Spare Changing for Trauma teaches foundational ways of working with plants. These methods can be applied to the specific herbs discussed in the book, and they can also be carried forward into a reader’s own herbal practice. • The focus is on learning how to work with plants, not memorizing formulas • Methods are explained in a way that allows flexibility and adaptation • Readers are shown how to prepare herbs using traditional approaches rather than product-style recipes • The emphasis is on relationship, observation, and use — not precision or perfection The intention is to give readers skills they can use beyond the pages of this book, rather than a set of instructions that only apply to one moment or one herb.
Yes — images are included, and they are personal rather than instructional. • Color photographs of April Graham from different periods of her life, included to give context to the memoir portions of the book • Hand-drawn illustrations of plants, offered as artistic representations rather than botanical identification tools • Images that support the storytelling and lived relationship with the plants, not plant identification or field use This book does not include botanical identification photographs or field-guide-style imagery. The visuals are meant to deepen understanding of the story and the relationship with the plants, not to serve as an identification reference. Because this book includes color printing, production costs are higher than April’s other books, which is reflected in the price.